Sigma FP2 Announced – 6K Open Gate, ProRes RAW, 24.5MP Partially Stacked Sensor

Sigma has officially pulled back the curtain on the Sigma FP2, the next chapter in its ultra-compact full-frame cinema-style camera series. Built around a 24.5MP partially stacked sensor, the new model offers 6K open gate recording, ProRes RAW, 32-bit float audio and a tilting Screen, all for $2,199. For filmmakers who loved the original concept but wanted more speed and flexibility, this announcement is a big one.

A Fresh Look at the Sigma FP2

The Sigma FP2 keeps the modular, pocketable philosophy that made the original FP line so distinctive. It remains a small full-frame body designed to be built up into a cinema rig or stripped down for stills and run-and-gun work. Sigma is clearly staying true to the idea of a camera that adapts to the user rather than the other way around.

What changes is the internal hardware and several practical touches. The new sensor, improved recording options and a more flexible screen all point toward a camera aimed squarely at independent video creators, while still appealing to photographers who enjoy a compact tool.

The New 24.5MP Partially Stacked Sensor

At the heart of the FP2 sits a 24.5MP partially stacked full-frame sensor. A partially stacked design adds extra circuitry layers to speed up readout, which typically helps reduce rolling shutter and allows for faster continuous shooting and more demanding video modes.

This is a notable step up for the FP line, where rolling shutter and readout speed have been talking points in the past. A faster sensor opens the door to higher frame rates, better handling of movement and a more responsive shooting experience overall.

6K Open Gate and ProRes RAW Recording

One of the headline features is 6K open gate recording, which uses the full sensor area to capture the maximum amount of image information. Open gate is a favorite among creators who need to deliver in multiple aspect ratios, such as vertical for social media and widescreen for traditional platforms, all from a single take.

Alongside this, the FP2 supports ProRes RAW, giving filmmakers a high-quality RAW workflow that is widely supported in post-production. Combined with the compact body, it means professional-grade image capture is available in a package that fits in a small bag.

Recording to external media remains central to the FP workflow, and ProRes RAW fits that approach well. Filmmakers who want maximum latitude for grading and color work will appreciate having this option in such a small camera.

32-Bit Float Audio for Better Sound

Audio gets a serious upgrade with 32-bit float recording. This format offers a huge dynamic range, making it extremely difficult to clip or record too quietly. Sound levels can be adjusted in post without the usual penalty, which is a major safety net for solo shooters.

For small crews and one-person productions, this feature can save a lot of headaches. Having reliable, flexible audio built directly into a compact camera makes the FP2 more attractive as a complete filmmaking tool.

Tilting Screen Adds Real Shooting Flexibility

Another Welcome addition is the tilting screen. The original FP's fixed display could be limiting when shooting at low or high angles, or when working on a gimbal or tripod. A tilting screen makes framing and monitoring much easier in a wide range of situations.

It is a simple change, but one that many users have asked for. Combined with the camera's small size, the tilting display improves day-to-day usability for both video and stills work.

Designed for Modular Cinema-Style Workflows

Sigma continues to embrace modularity with the FP2. Accessories such as cages, handles, external recorders and monitors can be attached to create a configuration that suits each project. This approach makes the camera feel more like a flexible platform than a fixed product.

That philosophy appeals to creators who want control over their setup. Whether it is a minimalist kit for travel or a fully rigged cinema build, the FP2 aims to fit into either scenario without compromise.

Pricing and Value at $2,199

The Sigma FP2 is priced at $2,199, which positions it competitively among full-frame mirrorless options with strong video capabilities. For that price, buyers get a partially stacked sensor, 6K open gate, ProRes RAW and 32-bit float audio, a feature set that is hard to find in such a compact body.

Of course, real-world performance will matter just as much as the spec sheet. Factors such as rolling shutter, rolling heat management, autofocus performance and media options will shape how the camera is received once reviews and hands-on tests arrive.

Who the Sigma FP2 Is Really For

The FP2 looks like a strong match for independent filmmakers, documentary shooters and content creators who want cinema-style image quality without a bulky camera. Its open gate and RAW capabilities give plenty of creative freedom, while the small size keeps it practical for travel and tight spaces.

Photographers who appreciate unconventional, minimalist gear may also find it appealing. With 24.5MP of resolution and a full-frame sensor, it should handle everyday stills work as well as it handles video.

Final Thoughts on the Sigma FP2

The Sigma FP2 builds on what made the FP series special while addressing some of its most common limitations. A faster sensor, richer recording formats, professional audio and a tilting screen make for a well-rounded upgrade at a reasonable price.

We will be watching closely for more details and hands-on impressions in the coming weeks. For now, the FP2 looks like one of the most interesting compact cinema-style cameras to be announced this year.

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